Innuendo (album)
Innuendo (album)
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| Innuendo | ||||
|---|---|---|---|---|
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Studio album by Queen | ||||
| Released | 5 February 1991 | |||
| Recorded | March 1989 – November 1990 | |||
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| Genre | Hard rock[2] | |||
| Length | 53:48 (CD) / 46:55 (LP) | |||
| Label |
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| Producer |
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Queen chronology | ||||
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Singles from Innuendo | ||||
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Innuendo is the fourteenth studio album by British rock band Queen, released on 5 February 1991 by Parlophone in the United Kingdom and it is the band's first studio album to be released by Hollywood Records in the United States. Produced by David Richards and the band, it was the band's last album to be released in vocalist Freddie Mercury’s lifetime, and their most recent one to be composed of entirely new material. It reached the No. 1 spot on the UK album charts and stayed at that position for two weeks, and also peaked at No. 1 in Italy, the Netherlands, Germany, Switzerland, staying at No. 1 for three weeks, four weeks, six weeks, and eight weeks, respectively. It was the first Queen album to go Gold in the US upon its release since The Works in 1984.
The album was recorded between March 1989 and November 1990.[3] In the spring of 1987, Mercury had been diagnosed with AIDS, although he kept his illness a secret from the public and denied numerous media reports that he was seriously ill. The band and producers were aiming for a November or December release date in order to catch the crucial Christmas market, but Mercury's declining health meant that the release of the album did not take place until February 1991. Stylistically, Innuendo is in some sense a return to Queen's roots,[4] with its harder rock sound, complex musical composition (title track), psychedelic effects ("I'm Going Slightly Mad"), and somewhat weakened vocals from Mercury ranging over three octaves (F2-A5).[5] Nine months after the album was released, Mercury died of AIDS-derived bronchial pneumonia.
The album cover was designed by Queen and Richard Gray. The booklets and single covers from the album are by Grandville, or are inspired by his illustrations. Innuendo was voted the 94th greatest album of all time in a national 2006 BBC poll.[6]
Contents
1 Background
2 Song information
2.1 "Innuendo"
2.2 "I'm Going Slightly Mad"
2.3 "Headlong"
2.4 "I Can't Live with You"
2.5 "Don't Try So Hard"
2.6 "Ride the Wild Wind"
2.7 "All God's People"
2.8 "These Are the Days of Our Lives"
2.9 "Delilah"
2.10 "The Hitman"
2.11 "Bijou"
2.12 "The Show Must Go On"
3 Singles
4 Critical reception
5 Track listing
5.1 CD
5.2 1991 LP
5.3 2015 LP
6 Personnel
7 Charts
7.1 Weekly charts
7.2 Year-end charts
7.3 Certifications
8 References
9 External links
Background[edit]
Queen released their thirteenth album, The Miracle, in May 1989, but unlike their previous albums, they did not conduct a live tour. Freddie Mercury conducted an interview with BBC Radio 1, where he said that he wanted to break from the "album – tour – album – tour" routine. During this time, he was diagnosed with AIDS (having been diagnosed as HIV positive in 1987), which was not yet publicised and was only known to the rest of the band;[7] however, rumours had been spreading since 1988 about Mercury's health and of the possibility that he had the disease, with speculation about his health being fuelled by a clear physical decline in his appearance, particularly weight loss.[8] While he kept quiet due to his personal rule not to talk to the media, the other band members denied the rumours; at one point, band member Roger Taylor told reporters that "he is healthy and working".[8] In February 1990, Queen won the Brit Award for Outstanding Contribution to British Music.[9] While Mercury accepted the award for the band at the Dominion Theatre, Brian May spoke for the band. Mercury's increasingly gaunt appearance at the ceremony sparked further speculation from the public about his health, which persisted throughout 1990.[8] The 1990 BRIT Awards would be Mercury's final public appearance.[10]
Mercury did not speak publicly about his health, saying that he did not want to sell his music out of the people's sympathy. He was determined to continue working on music with Queen for as long as he could, saying that he would "keep working until I fucking drop".[8][11] Mercury was persistently bothered by reporters at his London home, making it difficult for the band to record music. As a result, the band relocated to Mountain Studios in Montreux, where the safer and more peaceful atmosphere allowed the band to concentrate.[7] Early in Innuendo's recording, the band decided again that all work would be credited to Queen as a whole instead of to individual contributing members; May said that the decision made a significant impact in the recording process, while Taylor said that it helped eliminate much of the egotistical struggles that would normally cause bands to break up.[12]
The album was released in the US under a new label, the Disney-owned Hollywood Records, in an effort to garner greater exposure there.[13] After Mercury's death, Hollywood would also later gain the rights to Queen's Elektra and Capitol back catalogs.[citation needed]
Song information[edit]
Innuendo would be the last album that lead singer Freddie Mercury would work on before his death nine months after its release.
"Innuendo"[edit]
"Innuendo" began as a jam session in Switzerland amongst Brian May, Roger Taylor and John Deacon in spring 1989. Freddie Mercury was upstairs and heard them playing the beat, and turned it into a song, creating the melody and starting off the lyrics. From then on all four worked on polishing the track and Taylor took over the lyrics (which were written as a tribute to Led Zeppelin and their song "Kashmir"). The middle section, written by Mercury, was included later and it featured a synth-orchestra programmed by producer David Richards and a flamenco interlude played by Yes guitarist Steve Howe, who had come to visit them and was asked to play.[14] "Innuendo" was released as a single in January 1991, debuting at No. 1 in the UK.[15]
"I'm Going Slightly Mad"[edit]
"I'm Going Slightly Mad" was begun in Mercury's London house, after he'd got the idea of writing a song about madness, inspired by Noël Coward's camp one-liners. Most of the lyrics (like "banana tree" or "one needle") came from both him and his friend Peter Straker, who stayed up all night in Mercury's kitchen, devising ever more outlandish lines. The music is Mercury's as well and it is one of the earliest songs the band were working on in Montreux when Steve Howe came in.
The video that accompanied the song saw Mercury dressed in a costume suit with wild hair, white gloves, long pointing shoes and extremely heavy make up, filmed in black and white. Whilst Queen fans were thoroughly amused by the band in the video, in the documentary, Champions of the World, Taylor confessed, from the band's perspective, the video was marred by Mercury's appearance having to be camouflaged by costume and make-up, as Taylor admitted Mercury looked "pretty ill, at that point."[16]
"Headlong"[edit]
"Headlong" came from May at the studio they had in Switzerland. He recorded it for the solo album he was doing at the same time, but after hearing Mercury sing it, decided it worked better as a Queen song.
"I Can't Live with You"[edit]
"I Can't Live with You" was also written for May's solo album. He gave it to the band as well since Taylor, Deacon and Mercury were fond of the track. Drums were programmed on synth by May, and the keyboard-pads were added by the producer.
An alternative version of this song appeared on the 1997 compilation album Queen Rocks, billed as the "'97 Rocks Retake". It was said to be more along the lines of how May and Taylor originally wanted the track to sound, with a harder, guitar-driven rock edge. May has stated in an interview, that most of the original demo is in the recording, making the song "Impossible to mix".
"Don't Try So Hard"[edit]
"Don't Try So Hard" came from Mercury.[17] The intro "rain" is actually the pre-set sound of the Korg M1, which appears when it is switched on ("00: Universe"). Mercury sings a large portion of the song in falsetto, but sings up to a D5 in full voice in the chorus.
"Ride the Wild Wind"[edit]
"Ride the Wild Wind" was composed by Taylor, who recorded a demo with his own vocals. The definitive version is sung by Mercury with Taylor on backing vocals. The song is a sort of sequel of Taylor's A Night at the Opera composition, "I'm in Love with My Car", which focused on Taylor's passion for cars and race. This time, the song involved all of the other members, that gave life to a fast song with beating drums and rhythmic bass line, eerily note-for-note similar to The Smiths' "Shakespeare's Sister", which create the sensation of speed and engine's roar. In the mid-part, a May solo, which accentuates the sense of high velocity, and also gives the song a heavier sound. In some parts, a racing car can be heard. It was released as a single in Poland, peaking at No. 1.
"All God's People"[edit]
"All God's People" started off as part of Mercury's Barcelona project under the title "Africa by Night" (hence the co-writing credit with Mike Moran). He'd asked May to play guitar, then one thing led to another and the entire band played. Piano was recorded by Moran.
"These Are the Days of Our Lives"[edit]
"These Are the Days of Our Lives" was written by Taylor. It is harmonically and structurally one of the simplest songs of the band's catalogue. Keyboards were programmed by all band members in the studio, and conga percussion was recorded by David Richards. The music video for this song was Mercury's last appearance in a video medium, and with his knowing farewell look straight at the camera, Mercury whispers "I still love you" at the end of the song.[18][19] By the time the video was made, it had become impossible to disguise that Mercury was seriously ill. The video was filmed in colour, but converted to black and white to minimise Mercury's frail appearance. At a later date, colour footage of the band making the video was released, revealing just how ill Mercury was at the time.
"Delilah"[edit]
"Delilah" is a song Mercury penned for his favourite female tortoiseshell cat named Delilah. May recorded his solo using a talk box. Taylor later admitted he is not fond of the song, stating "I hate 'Delilah'. That's just not me."[20]
"The Hitman"[edit]
The fly-away rocker "The Hitman" was started by Mercury as well. The original version was apparently on keyboards and in a different key. May took Mercury's riff (not un-common), changed the key and recorded a demo of the heavy version. Deacon then re-arranged the structure and they all filled the gaps in lyrics and recorded it. All of the backing vocals were done by May. The demo version is sung by May, with Mercury making spoken comments (like "Bite the bullet baby!"). The finished product features Mercury's vocals peaking at an E5.
"Bijou"[edit]
"Bijou" was an idea Mercury and May had of making a song "inside-out" (having guitar doing the verses and the vocal doing the break). Mercury put the chords, title and lyrics, and the two of them worked on the guitar parts. Mercury sang the first line and then May transferred the melody to his Red Special. The song was finished without any input from Taylor or Deacon. The idea was not new and already used by Yes on their song "Soon". May later credited Jeff Beck's 1989 song "Where Were You" as the inspiration for 'Bijou'. In 2008, Queen + Paul Rodgers performed this song in their shows of the Rock the Cosmos Tour by May playing the verse live and then having Mercury's studio vocals play while a screen showed footage from the band's famous Wembley concert in 1986, with the visuals put in sync with the tape.
"The Show Must Go On"[edit]
"The Show Must Go On" was written primarily by May. The initial idea was a chord sequence Taylor and Deacon were working on. The rhythm of the refrain is similar to the Queen's 1989 song, "I Want It All". May decided to use the sequence, and both he and Mercury decided the theme of the lyrics and wrote the first verse together. From then on May finished the lyrics, completed the vocal melody and wrote the bridge, inspired by Pachelbel's Canon. Some keys and ideas were suggested by the producer too. The song chronicles the effort of Mercury continuing to perform despite approaching the end of his life.[21]
The song was initially not released as a single as part of promotion for the Innuendo album, but was released in October 1991 as the band launched their Greatest Hits II album. The video for the song featured a compilation of clips from all their videos since 1982, in support of the Greatest Hits II album. Due to Mercury's critically fast fading health at the time of its production, a fresh appearance by the band in a video was not possible.
The track is a personal favourite of fellow British artist Elton John, who performed the song at the Freddie Mercury Tribute Concert with the remaining members of Queen, and Tony Iommi playing rhythm guitar.[22] A different live version featuring John on vocals later appeared on Queen's Greatest Hits III album.
Singles[edit]
"Innuendo" was the lead single from the album in most countries save the US where "Headlong" was released to radio as a promo before the album's release. The single was released on 14 January 1991 in Europe and in March 1991 in the US as a promo single, becoming Queen's twelfth No. 1 single. The song also achieved modest success in the US, charting at No. 17 on Billboard's Mainstream Rock Tracks chart. Still, the length and style of the track limited its appeal, and it only spent one week at No. 1 in the UK and quickly slid down the chart, spending only six weeks in the top 75. (B-side on 7 inch release: "Bijou").
"I'm Going Slightly Mad" was released on 4 March 1991. It reached No. 22 on the UK charts. (B-side on 7 inch release: "The Hitman" in some countries, in others it was "Lost Opportunity", which was a non-album cut). The song reached No. 1 in Hong Kong.
"Headlong" was released as a promotional single in January 1991 in the US and as a single on 13 May 1991 in the UK. It entered the UK charts at No. 14, and reached No. 3 on the US Billboard Mainstream Rock Tracks chart. (B-side on 12 inch release: "All God's People" in some countries, in others, "Lost Opportunity" and in a few, "The Hitman". The 12" and CD also feature "Mad the Swine").
"I Can't Live with You" was released as a promo single to radio stations in the US. This two-track promo single, completely remixed by Brian Malouf, uses slightly different lead vocal tracks by Mercury, louder and tighter harmony tracks, and reprogrammed synth drums, resulting in a much more punchy and "over the top" poppy version than included on the album. It reached No. 28 on the US Mainstream Rock Tracks chart.
"Ride the Wild Wind" was released as a single but only in Poland.
"These Are the Days of Our Lives" was first released in the US on Mercury's birthday, 5 September 1991 on cassette and to radio. In the UK it was released in December 1991 following Mercury's death, as a double A-side with "Bohemian Rhapsody". The single was the UK's Christmas No. 1 of 1991.
"The Show Must Go On" was released on 14 October 1991 in the UK. The single was taken from the album, although it had not been released as a single from Innuendo, and released as promotion for the Greatest Hits II album (Classic Queen in the US/Canada), and peaked at No. 16 on the UK charts. After Mercury's death in November, the song re-entered the British charts and spent as many weeks in the top 75 as it had upon its original release. This single was released just six weeks before Mercury died. In 1992, the song was released as a double A-side with "Bohemian Rhapsody" in the US and reached No. 2 in the US. (The original B-side in October 1991 was "Keep Yourself Alive").
"Delilah" was released as a single, but only in Thailand, it reached number 1 on the Thailand Singles Chart.
Critical reception[edit]
| Professional ratings | |
|---|---|
| Review scores | |
| Source | Rating |
| Allmusic |   [23] |
| Rolling Stone | [24] |
| The Times | (unfavourable)[25] |
| The Orlando Sentinel | (favourable)[26] |
| The Cincinnati Post | [27] |
| Los Angeles Times | (mixed)[28] |
| San Francisco Chronicle | (unfavourable)[29] |
| St. Petersburg Times | [30] |
| St. Louis Post-Dispatch | (unfavourable)[31] |
| Entertainment Weekly | C-[32] |
Innuendo received mixed reviews. Rolling Stone magazine stated "Innuendo is so lightweight you'll forget it as soon as it's over".[33]People wrote "If this is cartoon rock and roll, at least it's good and brazenly cartoonish."[34] The Orange County Register observed "Queen dispenses with any stylistic variations or flirtations with dance music and offers its basic sound: lots of Mercury vocal leaps, fuzzed-out May guitar, choral overdubs and a sense of orchestral importance mixed with straightforward hard rock", concluding that it was a "mixed bag".[2] The LA Times were shocked to find out that Innuendo "is made of soft, sweet, sticky, sentimental goo".[35] Years later, AllMusic wrote "Innuendo was a fitting way to end one of rock's most successful careers",[23] while Rolling Stone called it "Queen's last masterpiece".[36]
Track listing[edit]
All tracks credited to Queen except for "All God's People" which is credited to Queen and Mike Moran.
CD[edit]
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Innuendo" |
| 6:31 |
| 2. | "I'm Going Slightly Mad" | Mercury | 4:22 |
| 3. | "Headlong" | Brian May | 4:38 |
| 4. | "I Can't Live with You" | May | 4:33 |
| 5. | "Don't Try So Hard" | Mercury | 3:39 |
| 6. | "Ride the Wild Wind" | Taylor | 4:42 |
| 7. | "All God's People" |
| 4:21 |
| 8. | "These Are the Days of Our Lives" | Taylor | 4:15 |
| 9. | "Delilah" | Mercury | 3:35 |
| 10. | "The Hitman" |
| 4:56 |
| 11. | "Bijou" |
| 3:36 |
| 12. | "The Show Must Go On" | May | 4:35 |
| Total length: | 53:48 | ||
| 2011 bonus EP | |||
|---|---|---|---|
| No. | Title | Writer(s) | Length |
| 1. | "I Can't Live with You" (1997 Rocks retake) | May | 4:50 |
| 2. | "Lost Opportunity" (B-side) | May | 3:53 |
| 3. | "Ride the Wild Wind" (early version with guide vocal) | Taylor | 4:14 |
| 4. | "I'm Going Slightly Mad" (mad mix) | Mercury, Straker | 4:37 |
| 5. | "Headlong" (embryo with guide vocal) | May | 4:44 |
| 2011 iTunes deluxe edition bonus videos | ||
|---|---|---|
| No. | Title | Length |
| 6. | "Innuendo" (alternative promo video, 1991) | |
| 7. | "These Are the Days of Our Lives" (Hollywood Records alternative promo video, 1991) | |
| 8. | "Mad in the Making: The Making of the 'I'm Going Slightly Mad' Promo Video" (1991) | |
1991 LP[edit]
All tracks written by Queen, except where noted. Due to the length of the original album, several tracks had to be shortened in order to fit on the disc without excessive noise reduction or compression. The track listing is also slightly different from the CD version, with "Don't Try So Hard" moved to side 2, between "Delilah" and "The Hitman". Some of the shortened tracks can be found on the B-sides of concurrent 12" singles, and the double LP of Greatest Hits II.
| Side one | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Innuendo" | 6:29 |
| 2. | "I'm Going Slightly Mad*" | 4:04 |
| 3. | "Headlong" | 4:31 |
| 4. | "I Can't Live with You" | 4:04 |
| 5. | "Ride the Wild Wind" | 4:41 |
| Total length: | 23:49 | |
| Side two | ||
|---|---|---|
| No. | Title | Length |
| 1. | "All God's People" | 3:53 |
| 2. | "These Are the Days of Our Lives*" | 3:55 |
| 3. | "Delilah" | 3:32 |
| 4. | "Don't Try So Hard*" | 3:32 |
| 5. | "The Hitman*" | 3:43 |
| 6. | "Bijou*" | 1:19 |
| 7. | "The Show Must Go On" | 4:31 |
| Total length: | 23:06 | |
(*) Edited versions for vinyl
2015 LP[edit]
Innuendo was re-released on vinyl on 25 September 2015, alongside all of Queen's other studio albums. This is the first time that the album has been presented on vinyl in full, spread across 2 LPs; however, "These Are the Days of Our Lives" and "I Can't Live with You" have swapped places - the former now being the fourth track on the album, the latter now being the eighth.
| Side one | ||
|---|---|---|
| No. | Title | Length |
| 1. | "Innuendo" | 6:32 |
| 2. | "I'm Going Slightly Mad" (Queen, Straker) | 4:22 |
| 3. | "Headlong" | 4:38 |
| Total length: | 15:32 | |
| Side two | ||
|---|---|---|
| No. | Title | Length |
| 1. | "These Are the Days of Our Lives" | 4:13 |
| 2. | "Don't Try So Hard" | 3:39 |
| 3. | "Ride the Wild Wind" | 4:42 |
| Total length: | 12:34 | |
| Side three | ||
|---|---|---|
| No. | Title | Length |
| 1. | "All God's People" (Queen, Moran) | 4:19 |
| 2. | "I Can't Live with You" | 4:33 |
| 3. | "Delilah" | 3:32 |
| Total length: | 12:24 | |
| Side four | ||
|---|---|---|
| No. | Title | Length |
| 1. | "The Hitman" | 4:56 |
| 2. | "Bijou" | 3:37 |
| 3. | "The Show Must Go On" | 4:31 |
| Total length: | 13:04 | |
Personnel[edit]
Queen
Freddie Mercury – lead vocals (all tracks), backing vocals (1-4, 6-9), keyboards (1, 2, 5, 6, 8-11), drum machine (2, 9)
Brian May – electric guitar (all tracks), backing vocals (2-4, 10, 12), keyboards (3, 4, 12), drum machine (3, 4), acoustic guitar (1), lead vocals ("Lost Opportunity")
Roger Taylor – drums (1-3, 5-8, 10, 12), backing vocals (3-4, 6, 12), percussion (1, 7, 8), keyboards (6, 8), drum machine (2)
John Deacon – bass (all but 11)
Additional personnel
Steve Howe – Spanish guitar (1)
Michael Moran – keyboards (7)
David Richards – producing, engineering, keyboards (4, 8)
- Noel Harris – assistant engineer
- Justin Shirley-Smith – assistant engineer
- Richard Gray – sleeve design
- Grandville (1803–47) – illustrations
- Angela Lumley – additional illustrations
- Simon Fowler – photography
Charts[edit]
| |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| Chart (1991) | Peak position |
|---|---|
Australian Albums Chart[37] | 6 |
| Austrian Albums Chart[38] | 2 |
Canadian Albums Chart[39] | 16 |
Dutch Albums Chart[40] | 1 |
French Albums Chart[41] | 9 |
German Albums Chart[42] | 1 |
| Italian Albums Chart[43] | 1 |
Japanese Albums Chart[44] | 17 |
New Zealand Albums Chart[45] | 6 |
Norwegian Albums Chart[46] | 8 |
Spanish Albums Chart[47] | 3 |
Swedish Albums Chart[48] | 9 |
Swiss Albums Chart[49] | 1 |
UK Albums Chart[15] | 1 |
| U.S. Billboard 200[50] | 30 |
Year-end charts[edit]
| Chart (1991) | Position |
|---|---|
| Austrian Albums Chart[51] | 33 |
Canadian Albums Chart[52] | 60 |
| Italian Albums Chart[43] | 9 |
| Swiss Albums Chart[53] | 7 |
| UK Albums Chart[54] | 31 |
Certifications[edit]
| Region | Certification | Certified units/Sales |
|---|---|---|
| Austria (IFPI Austria)[55] | Platinum | 50,000* |
| Canada (Music Canada)[56] | Gold | 50,000^ |
| Finland (Musiikkituottajat)[57] | Gold | 38,221[57] |
| France (SNEP)[58] | Platinum | 324,600[59] |
| Germany (BVMI)[60] | Platinum | 500,000^ |
| Mexico (AMPROFON)[61] | Platinum | 250,000[62] |
| Netherlands (NVPI)[63] | 2× Platinum | 200,000^ |
| Poland (ZPAV)[64] 2009 Agora SA album reissue | Platinum | 20,000* |
| Spain (PROMUSICAE)[65] | Platinum | 100,000^ |
| Switzerland (IFPI Switzerland)[66] | 2× Platinum | 100,000^ |
| United Kingdom (BPI)[67] | Platinum | 300,000^ |
| United States (RIAA)[68] | Gold | 500,000^ |
^shipments figures based on certification alone | ||
References[edit]
^ Innuendo queenonline.com Retrieved 27 September 2014
^ ab "Queen aims to reclaim its throne". Retrieved 30 April 2018..mw-parser-output cite.citation{font-style:inherit}.mw-parser-output q{quotes:"""""""'""'"}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:inherit;padding:inherit}.mw-parser-output .cs1-lock-free a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/6/65/Lock-green.svg/9px-Lock-green.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-limited a,.mw-parser-output .cs1-lock-registration a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/d/d6/Lock-gray-alt-2.svg/9px-Lock-gray-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-lock-subscription a{background:url("//upload.wikimedia.org/wikipedia/commons/thumb/a/aa/Lock-red-alt-2.svg/9px-Lock-red-alt-2.svg.png")no-repeat;background-position:right .1em center}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration,.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}
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^ "Queen Interviews – Queen – 02-01-1991 – Innuendo – The Times – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 02-08-1991 – Innuendo – The Orlando Sentinel – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 02-09-1991 – Innuendo – The Cincinnati Post – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 02-15-1991 – Innuendo – LA Times – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. 15 February 1991. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 02-24-1991 – Innuendo – The San Francisco Chronicle – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. 24 February 1991. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 03-08-1991 – Innuendo – St. Petersburg Times – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ "Queen Interviews – Queen – 03-15-1991 – Innuendo – St. Louis Post-Dispatch – Queen Archives: Freddie Mercury, Brian May, Roger Taylor, John Deacon, Interviews, Articles, Reviews". Queen Archives. 15 March 1991. Archived from the original on 8 April 2014. Retrieved 10 August 2011.
^ Farber, Jim (15 February 1991). "Innuendo Review". Entertainment Weekly. Archived from the original on 17 January 2010. Retrieved 11 June 2012.
^ Eddy, Chuck (7 March 1991). "Innuendo – Queen". Rolling Stone.
^ Tomashoff, Craig; Shea, Lisa; Kaufman, Joanne; Hiltbrand, David (1 April 1991). "Picks and Pans Review: Innuendo". People. Vol. 35 no. 12.
^ . 15 February 1991 http://www.queenarchives.com/index.php?title=Queen_-_02-15-1991_-_Innuendo_-_LA_Times. Retrieved 30 April 2018. Missing or empty|title=(help)
^ "Remembering Queen's Last Masterpiece, 'Innuendo'". Rolling Stone.
^ Steffen Hung. "Queen – Innuendo". australian-charts.com. Archived from the original on 2012-10-24. Retrieved 10 August 2011.
^ Steffen Hung. "Queen – Innuendo". austriancharts.at. Archived from the original on 2013-11-10. Retrieved 10 August 2011.
^ "Results – RPM – Library and Archives Canada". Collectionscanada.gc.ca. Archived from the original on 23 October 2012. Retrieved 10 August 2011.
^ Steffen Hung. "Queen – Innuendo". dutchcharts.nl. Archived from the original on 2013-12-12. Retrieved 10 August 2011.
^ InfoDisc : Tous les Albums classés par Artiste Archived 30 March 2014 at the Wayback Machine.
^ "Queen, Innuendo". charts.de. 15 May 2009. Retrieved 10 August 2011.
^ ab "Hit Parade Italia – Gli album più venduti del 1991" (in Italian). hitparadeitalia.it. Archived from the original on 2013-10-29. Retrieved 3 October 2011.
^ クイーン-リリース-ORICON STYLE-ミュージック "Highest position and charting weeks of Innuendo by Queen" Check|url=value (help). Oricon Style (in Japanese). oricon.co.jp. Archived from the original on 2014-03-08. Retrieved 31 August 2011.
^ Steffen Hung. "Queen – Innuendo". charts.org.nz. Archived from the original on 2013-12-20. Retrieved 10 August 2011.
^ Steffen Hung. "Queen – Innuendo". norwegiancharts.com. Archived from the original on 2013-11-15. Retrieved 10 August 2011.
^ Salaverri, Fernando (September 2005). Sólo éxitos: año a año, 1959-2002 (1st ed.). Spain: Fundación Autor-SGAE. ISBN 84-8048-639-2.
^ Steffen Hung. "Queen – Innuendo". swedishcharts.com. Archived from the original on 2014-02-03. Retrieved 10 August 2011.
^ Steffen Hung. "Queen – Innuendo". hitparade.ch. Archived from the original on 2012-11-12. Retrieved 10 August 2011.
^ "Queen – Innuendo". Billboard. Retrieved 10 August 2011.
^ "Austriancharts.at – Jahreshitparade 1991". Hung Medien. Archived from the original on 4 November 2012. Retrieved 1 August 2010.
^ "RPM Top 100 Albums of 1991". RPM. Archived from the original on 2014-04-08. Retrieved 3 October 2011.
^ "Hitparade.ch – Schweizer Jahreshitparade 1991". Hung Medien. Archived from the original on 24 December 2013. Retrieved 17 October 2011.
^ "Complete UK Year-End Album Charts". Archived from the original on 29 August 2012. Retrieved 3 October 2011.
^ "Austrian album certifications – Queen – Innuendo" (in German). IFPI Austria.
Enter Queen in the field Interpret. Enter Innuendo in the field Titel. Select album in the field Format. Click Suchen.
^ "Canadian album certifications – Queen – Innuendo". Music Canada.
^ ab "Queen" (in Finnish). Musiikkituottajat – IFPI Finland.
^ "French album certifications – Queen – Innuendo" (in French). Syndicat National de l'Édition Phonographique.
^ "Les Albums Platine". infodisc.fr (in French). SNEP. Archived from the original on 8 April 2014. Retrieved 31 August 2011.
^ "Gold-/Platin-Datenbank (Queen; 'Innuendo')" (in German). Bundesverband Musikindustrie.
^ "Certificaciones" (in Spanish). Asociación Mexicana de Productores de Fonogramas y Videogramas.
Type Queen in the box under the ARTISTA column heading and Innuendo in the box under TÍTULO
^ "QUEEN Innuendo Mexico Promo award disc". Eil.com. 1992-09-30. Retrieved 2014-08-14.
^ "Dutch album certifications – Queen – Innuendo" (in Dutch). Nederlandse Vereniging van Producenten en Importeurs van beeld- en geluidsdragers.
Enter Innuendo in the "Artiest of titel" box.
^ "Polish album certifications – Queen – Innuendo" (in Polish). Polish Society of the Phonographic Industry.
^ Solo Exitos 1959-2002 Ano A Ano: Certificados 1991-1995. Iberautor Promociones Culturales. ISBN 978-84-8048-639-2.
^ "The Official Swiss Charts and Music Community: Awards (Queen; 'Innuendo')". IFPI Switzerland. Hung Medien.
^ "British album certifications – Queen – Innuendo". British Phonographic Industry.
Select albums in the Format field. Select Platinum in the Certification field. Type Innuendo in the "Search BPI Awards" field and then press Enter.
^ "American album certifications – Queen – Innuendo". Recording Industry Association of America.
If necessary, click Advanced, then click Format, then select Album, then click SEARCH.
External links[edit]
Queen official website: Discography: Innuendo: includes lyrics of all non-bonus tracks except "Headlong" and "I Can't Live with You".
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PortalCategories:
- 1991 albums
- Albums produced by David Richards (record producer)
- Hollywood Records albums
- Parlophone albums
- Queen (band) albums
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