Patti Page
Page in the 1950s
Background information
Birth name	Clara Ann Fowler
Born	(1927-11-08)November 8, 1927 Claremore, Oklahoma, United States
Origin	Tulsa, Oklahoma, United States
Died	January 1, 2013(2013-01-01) (aged 85) Encinitas, California, United States
Genres	Traditional pop, country
Occupation(s)	Singer
Instruments	Vocals
Years active	1946–2012
Labels	Mercury, Columbia, Epic, Avco, Plantation
Website	misspattipage.com

Clara Ann Fowler (November 8, 1927 – January 1, 2013), known by her stage name Patti Page, was an American singer of pop and country music. She was the top-charting female vocalist and best-selling female artist of the 1950s,^[1] selling over 100 million records during a six-decade long career.^[2] She was often introduced as "the Singin' Rage, Miss Patti Page". New York WNEW disc-jockey William B. Williams introduced her as "A Page in my life called Patti".

Page signed with Mercury Records in 1947, and became their first successful female artist, starting with 1948's "Confess". In 1950, she had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", and would eventually have 14 additional million-selling singles between 1950 and 1965.

Page's signature song, Tennessee Waltz, was one of the biggest-selling singles of the 20th century, and is recognized today as one of the official songs of the state of Tennessee. It spent 13 weeks atop the Billboard magazine's Best-Sellers List in 1950/51. Page had three additional No. 1 hit singles between 1950 and 1953, "All My Love (Bolero)", "I Went to Your Wedding", and "(How Much Is That) Doggie in the Window".

Unlike most other pop singers, Page blended country music styles into many of her songs. As a result of this crossover appeal, many of Page's singles appeared on the Billboard Country Chart. In the 1970s, she shifted her style more toward country music and began having even more success on the country charts, ending up as one of the few vocalists to have charted in five separate decades.

With the rise of Rock and Roll in the 1950s, mainstream popular music record sales began to decline. Page was among the few pop singers who were able to maintain popularity, continuing to have hits well into the 1960s, with "Old Cape Cod", "Allegheny Moon", "A Poor Man's Roses (Or a Rich Man's Gold)", and "Hush, Hush, Sweet Charlotte".

In 1997, Patti Page was inducted into the Oklahoma Music Hall of Fame. She was posthumously honored with the Lifetime Achievement Grammy Award in 2013.

Early life[edit]

Clara Ann Fowler was born on November 8, 1927, in Claremore, Oklahoma (although some sources give Muskogee)^[1] into a large and poor family.^[3][4] Her father, B.A. Fowler, worked on the MKT railroad, while her mother, Margaret, and older sisters picked cotton. As she recalled on television many years later, the family lived without electricity, and therefore she could not read after dark. She was raised in Foraker, Hardy, Muskogee and Avant, Oklahoma,^[4][5] before attending Daniel Webster High School in Tulsa, from which she graduated in 1945.^[6]

Fowler started her career as a singer with Al Clauser and his Oklahoma Outlaws at KTUL. Fowler became a featured performer on a 15-minute radio program on KTUL, Tulsa, Oklahoma, at age 18. The program was sponsored by the Page Milk Company.^[7] On the air, Fowler was referred to as "Patti Page", after the Page Milk Company. In 1946, Jack Rael, a saxophone player and band manager, came to Tulsa to do a one-night stand. Rael heard Page on the radio and liked her voice. Rael asked her to join the band he managed, the "Jimmy Joy Band". Rael would later become Page's personal manager, after leaving the band.^[8]

Page toured the country with the "Jimmy Joy Band" in 1946. The band eventually ended up in Chicago, Illinois, where in 1947, Page sang with a small group led by popular orchestra leader, Benny Goodman. This led to Page signing her first recording contract with Mercury Records.^[1] She became Mercury's "girl singer".^[3]

Music career[edit]

Pop success: 1946–1949[edit]

Patti Page recorded several songs with Al Clauser & His Oklahoma Outlaws (1946), The Eddie Getz Orchestra, and the George Barnes Trio (1947).^[9]

Page recorded her first hit single, "Confess", in 1947. Because of a strike, background singers were not available to provide harmony vocals for the song, so Page and the label decided to overdub the harmony parts.^[10]Bill Putnam, an engineer for Mercury Records, was able to overdub Page's voice, using the latest recording technology.^[11] Thus, Page became the first pop artist to harmonize her own vocals on a recording.^[1] This technique would later be used on Page's biggest hit singles in the 1950s. In 1948, "Confess" became a Top 15 hit on Billboard magazine, peaking at No. 12 on the "Best-Sellers" chart, becoming her first hit. Page followed the single with four more in 1948–1949, only one of which was a Top 20 hit, "So in Love" (1949). Page also had a Top 15 hit on the Billboard magazine country chart in 1949 with "Money, Marbles, and Chalk" and then recorded "Boogie Woogie Santa Claus" which later became a hit in 1950.

In 1950, Page had her first million-selling single "With My Eyes Wide Open, I'm Dreaming", another song where she harmonized her vocals. Because she was overdubbing her vocals, Page's name had to be listed on the recording credits as a group. According to one early-1950s' chart, Page was credited as "The Patti Page Quartet". In mid-1950, Page's single, "All My Love (Bolero)" peaked at No. 1 on Billboard magazine, becoming her first No. 1 hit,^[1] spending five weeks there. That same year, she also had her first Top 10 hit with "I Don't Care if the Sun Don't Shine", as well as the Top 25 single, "Back in Your Own Backyard".

"Tennessee Waltz": 1950[edit]

Toward the end of 1950, Patti Page's version of "Tennessee Waltz" became her second No. 1 hit, and her biggest-selling single. "Tennessee Waltz" was written in 1946 by Pee Wee King and Redd Stewart, and was recorded in 1947 by Pee Wee King & His Golden West Cowboys. Their original version made the country charts in 1948. The song was also a hit for Cowboy Copas around the same time. Page was introduced to the song by record producer Jerry Wexler, who suggested that she cover a recent R&B version by the Erskine Hawkins Orchestra. Page liked the song and she soon recorded and released it as a single. The song spent 13 weeks at No. 1 in 1950 and 1951. "Tennessee Waltz" also became Page's second single to appear on the country charts, becoming her biggest hit there, reaching No. 2. The song would later become one of the best-selling records of its era, selling seven million copies in the early 1950s. "Tennessee Waltz" remains the biggest commercial success for the overdubbing technique, pioneered by producer Mitch Miller, which enabled Page to sound as if she were harmonizing with herself.^[11] "Tennessee Waltz" was the last song to sell one million copies of sheet music.^{[citation needed]}

The song was featured in the 1970 film Zabriskie Point and in the 1983 film The Right Stuff.^[12]

Breakthrough: 1951–1965[edit]

Page with Frankie Laine, c. 1950s

In 1951, Page released the follow-up single to "Tennessee Waltz" called "Would I Love You (Love You, Love You)", which was a Top 5 hit, and also sold a million copies. The next single, "Mockin' Bird Hill", (a cover of the original by Les Paul and Mary Ford) was her fourth million seller. Page had three more Top 10 hits on Billboard magazine in 1951, starting with "Mister and Mississippi", which peaked at No. 8, "And So to Sleep Again", and "Detour", which had previously been recorded and made famous by Foy Willing and Elton Britt. Page's version was the most popular and became her seventh million-selling single.^[12] She also released her first studio album in 1951 titled, Folk Song Favorites.

In 1952, Page had a third No. 1 hit with "I Went to Your Wedding", which spent two months at number one. Recorded in a country ballad style, the song was the B-side of "You Belong to Me", also a top ten hit. "I Went to Your Wedding" was Page's eighth million-selling single in the United States. It displaced Jo Stafford's version of the same song, "You Belong to Me" at No. 1 on Billboard's Best Seller chart).^[1] She had continued success that year, with three more songs in the Top 10, "Come What May", "Once in a While", and "Why Don't You Believe Me".
In 1953, a novelty tune, "(How Much Is That) Doggie in the Window", became Page's fourth No. 1 hit, selling over a million copies, and staying on the chart for five months. The song included the sound of a dog barking, which made it popular with a younger audience. It became one of her best-loved songs.^[12] The song was written by the novelty tune specialist Bob Merrill. It was originally recorded by Page for a children's album, "Arfie Goes To School".^[13] She had a series of Top 20 hits that year. A final single reached the Top 5, "Changing Partners", which peaked at No. 3 and stayed on the charts for five months. The song was also a country melody, like many of Page's hits at the time.^[12]

In 1954, Page had more chart hits, including "Cross Over the Bridge", which again over-dubbed Page's vocals and peaked at No. 2. Other Top 10 hits by Page that year included, "Steam Heat" (from the Broadway musical The Pajama Game) and "Let Me Go Lover". ^[13]
In 1955 Page had one chart single, "Croce di Oro".

Unlike most other pop singers of her time, Page was able to maintain success into the rock and roll era. She had three hits in 1956, including the No. 2 "Allegheny Moon". In 1957 she had major hits with "A Poor Man's Roses (Or a Rich Man's Gold)" (recorded the same year by Patsy Cline) and the Top 5 hit, "Old Cape Cod".

	"Old Cape Cod" "Old Cape Cod" (1957). Page overdubbed her own vocals, as illustrated by the tight harmonies in this sample.
Problems playing this file? See media help.

In 1956 Vic Schoen became Patti Page's musical director, producing her on a long string of hits that included "Mama from the Train", "Allegheny Moon", "Old Cape Cod", "Belonging to Someone" and "Left Right Out of Your Heart". Page and Schoen's most challenging project was a recording of Gordon Jenkins narrative tone poem Manhattan Tower (recorded September 1956). The album was a success both artistically and commercially, reaching No. 18 on the Billboard LP chart, the highest ranking of any of her albums. Schoen's arrangements were more lively and jazzy than the original Jenkins arrangements. Schoen recalled, "Patti was an alto, but I pushed her to reach notes higher than she had sung before for this album. We always enjoyed working together." Page and Schoen continued their collaboration for many years, working together until 1999.

During the 1950s, Page regularly appeared on television, including The Ed Sullivan Show, The Bob Hope Show, The Steve Allen Show, and The Dean Martin Show. This eventually led to Page having television specials of her own. She would later have her own series, beginning with Scott Music Hall on NBC in the 1952–53 season, and a syndicated series for Oldsmobile^[14] in 1955, The Patti Page Show. However, this show only lasted one season, as did The Big Record on CBS (1957–58) and ABC's The Patti Page Olds Show, sponsored by Oldsmobile (1958–59). Page also began an acting career at this time, beginning with a role on CBS Playhouse 90. Page made her movie debut in 1960, in Elmer Gantry.^[14] Page also recorded the theme song for Boys Night Out, in which she played the part of Joanne McIllenny.^[15] In 1959, Page recorded the title song from the musical The Sound of Music for Mercury Records^[16] on the same day that the musical opened on Broadway. Since it was recorded a week before the original Broadway cast album, Page was the first artist to record a song from the musical. The song on her TV show, The Patti Page Olds Show, helping to promote the Broadway show.^[17].

In the early 1960s, Page's success began to decline.^[7] She did not chart again until 1961, with "You'll Answer to Me" and "Mom and Dad's Waltz". Page's last major chart hit was in 1965, "Hush...Hush, Sweet Charlotte", from the film of the same name^[14] starring Bette Davis and Olivia de Havilland. It peaked at No. 8. It was her last top 10 hit (and her first since 1957).^[13], was nominated for a "Best Song" Oscar and she got to sing it on the 1965 Academy Awards^[18]. She also recorded the song in Italian, Spanish and German for foreign markets^[19].

Adult contemporary and country music: 1966–1982[edit]

Before releasing "Hush...Hush, Sweet Charlotte", Page signed with Columbia Records, where she remained until the end of the decade. She released a few studio albums for Columbia in the 1960s. In 1970, her singles began to chart on the Hot Adult Contemporary Tracks chart. Many of these singles became hits, peaking in the Top 20, including cover versions of "You Can't Be True, Dear", "Gentle on My Mind", and "Little Green Apples" (the latter being her last pop chart entry). Page, who was a fan of country music, recorded many country songs over the years. Some of these were recorded for Columbia and were released as Adult Contemporary singles, including David Houston's "Almost Persuaded" and Tammy Wynette's "Stand by Your Man". Page left Columbia in 1970, returning to Mercury Records and shifting her career away from pop and into country music. In 1973, she returned to working with her former record producer, Shelby Singleton.^[13]

Working for Mercury, Columbia, and Epic in the 1970s, Page recorded a series of country singles, beginning with 1970's "I Wish I Had a Mommy Like You", which became a Top 25 hit, followed by "Give Him Love", which had similar success. In 1971, she released a country music album, I'd Rather Be Sorry, for Mercury records. In 1973, a duet with country singer Tom T. Hall titled, "Hello, We're Lonely" was a Top 20 hit, reaching No. 14 on the Billboard Country Chart.

In 1973, Page returned to Columbia Records' affiliate Epic Records. In 1974 and 1975, she released singles for Avco Records
including "I May Not Be Lovin' You" and "Less Than the Song", both of which were minor country hits. After a five-year hiatus, she recorded for Plantation Records in 1980. She had a Top 40 hit with Plantation in 1981 titled "No Aces", followed by a series of minor country hits, "My Man Friday", which reached No. 80 In the early 1980s, she performed with major symphony orchestras in Cincinnati, Ohio, and Mexico City, Mexico.
.

Later career: 1983–2012[edit]

In 1986 Page and arranger Vic Schoen reunited for a stage show in Las Vegas.

In 1988, Page appeared at the Ballroom in New York, marking the first time that she had performed there in nearly twenty years. She received positive reviews from music critics.^[13]
In the 1990s, Page founded her own record label, C.A.F. Records, which released several records, including a 2003 children's album.^[14]

In the early 1990s, Page moved to San Diego, California, and continued to perform live shows at venues across the country.

In 1998, the album Live at Carnegie Hall: The 50th Anniversary Concert was released. The album won Page a Grammy Award the following year for Best Traditional Pop Vocal Performance which, despite her prolific career, was her first Grammy.^[13]

In 1998, a sample of Patti Page's recording of "Old Cape Cod" formed the basis of Groove Armada's UK hit "At the River". The lines "If you're fond of sand dunes and salty air, / Quaint little villages here and there..." sung in Page's multi-tracked close-harmony, are repeated over and over, with the addition of synthesizer bass, slowed-down drums and a bluesy trombone solo to produce a chill-out track. The success of this track introduced Page's music to a new generation of listeners.

In 1999, Vic Schoen reunited with Page to record a CD for a Chinese label.

In 2000, she released an album, Brand New Tennessee Waltz, which consisted of new music. Harmony vocals were provided by popular country stars, including Suzy Bogguss, Alison Krauss, Kathy Mattea and Trisha Yearwood. The album was promoted at the Ryman Auditorium in Nashville, Tennessee in 2000.^[20]

On October 4, 2001, Bob Baines, the mayor of Manchester, New Hampshire, declared the day "Patti Page Day" in the town. Miss Page was in Manchester to perform a sold-out concert at the Palace Theater to benefit Merrimack Valley Assistance Program.^[21]

In 2004, she appeared on the PBS Special Magic Moments: The Best Of 50s Pop and sang her hits "Tennessee Waltz" and "Old Cape Cod". The DVD also includes a bonus backstage interview with Page.

In 2005, she performed a series of engagements at a theatre in Branson, Missouri, starting on September 12.^[22]

Until shortly before her death, Page was the host of a weekly Sunday program on the "Music of Your Life" radio network. She and Jack White of the White Stripes were interviewed in January 2008, after the White Stripes had recorded Page's early 1950s hit, "Conquest", on their 2007 studio album Icky Thump. Page and White were put together on the phone during the interview, talking to each other about their views on "Conquest".^[10]

Page sang "Summer Me, Winter Me" for Michel Legrand's 50th Anniversay concert at the MGM Grand, and on the recording, it is evident she had forgotten the words.

Page continued to tour actively until September 2012, when she announced, on her web page, her retirement from performing, for health reasons.^[23]

Style[edit]

During the time of Page's greatest popularity (the late 1940s and 1950s), most of her traditional pop music contemporaries included jazz melodies in their songs. Page also incorporated jazz into some of her songs; however, on most of her recordings, Page favored a country music arrangement.

During the late 1940s, when Page recorded for Mercury Records, its top A&R man was Mitch Miller, who, despite having left Mercury for Columbia Records in 1950, produced most of Page's music. Miller found that the simple-structured melodies and story lines in country songs could be adapted to the pop market. Page, who was born in Oklahoma, felt comfortable using this idea.^[11] Many of Page's most successful hits featured a country music arrangement, including her signature song, "Tennessee Waltz", as well as "I Went to Your Wedding" and "Changing Partners". Some of these singles charted on the Billboard Country Chart during the 1940s, 1950s, and early 1960s.

Many other artists were influenced by Patti Page, and incorporated country arrangements into their own songs, including The Andrews Sisters and Bing Crosby, who had a No. 1 hit on the country charts in the late 1940s with "Pistol Packin' Mama".

Personal life[edit]

Page was married three times: first to University of Wisconsin student Jack Skiba in May 1948. They moved to New York, but she asked for and received a no-fault divorce in Wisconsin within a year. Her next marriage was to Charles O'Curran, a choreographer, in 1956. O'Curran had been previously married to actress Betty Hutton. Page and O'Curran adopted a son, Danny, and a daughter, Kathleen. They divorced in 1972.

Page's last marriage was to Jerry Filiciotto in 1990.^[24] The couple owned a maple syrup business, The Farm at Wood Hill in Bath, New Hampshire and resided in Solana Beach, California.^[14][25] Filiciotto died on April 18, 2009.

In his autobiography, Lucky Me, published in 2011, former major league baseball player and front-office executive Eddie Robinson claims he dated Page before her first marriage.

Page's longtime collaborator arranger Vic Schoen once recalled, "She was one of the nicest and most accommodating singers I've ever worked with." She and Schoen remained close friends and spoke regularly until his death in 2000.

Death[edit]

Patti Page died on 1 January 2013 at the Seacrest Village Retirement Community in Encinitas, California. ^[26] She was 85 years old.^[27] Page had been suffering from heart and lung disease. She was buried at El Camino Memorial Park in San Diego.^[28]

Discography[edit]

See also List of songs recorded by Patti Page.

Television appearances[edit]

• 
  The Patti Page Show (syndicated by Screen Gems), 1955–56, 78 15-minute episodes which were edited into 31 half-hour episodes.


• 
  What's My Line? (CBS, September 22, 1957) (Episode # 381) (Season 9, Ep 4) Mystery Guest


• 
  Appointment with Adventure ("Paris Venture", CBS, February 26, 1956)

Filmography[edit]

• 
  Elmer Gantry (1960)


• 
  Dondi (1961)


• 
  Boys' Night Out (1962)


• 2004: The Patti Page Video Songbook^[29]
  


• 2004: Patti Page – Sings the Hits
  


• 2005: In Concert Series: Patti Page
  

See also[edit]

Book: Patti Page

• List of the best-selling music artists


• List of popular music performers

Bibliography[edit]

• 
  Once Upon a Dream: A Personal Chat With All Teenagers (1960)


• 
  This is My Song: A Memoir – Patti Page with Skip Press (2009)

References[edit]

External links[edit]

Wikimedia Commons has media related to Patti Page.

• Official website


• 
  Patti Page on IMDb


• Patti Page Official Biography


• Interview with Patti Page


• Songwriters' Hall of Fame article on Patti Page


• The Official Redd Stewart Website


• Earthlink TV Channels


• 
  Pattie Page Relatives Preserve Her Life on YouTube, from Hatteberg's People on KAKE TV news


• 
  Patti Page Interview NAMM Oral History Library (1995)